Finally, with its full creative team and cast in place, Y: The Last Man was prepared to sta…oh God, it’s a global pandemic. the Ruddicks sitting inside their stuffy little old trailer far from the fun while a colored cook in the other trailer scrambled some eggs for them. Following that, the show lost its star in Barry Keoghan and recast Ben Schnetzer in the lead role. Then, in 2019, FX parted ways with original showrunner Michael Green and brought Clark aboard. FX didn’t find a pilot it wanted to commission until 2018. After several other suitors tried and failed to get an adaptation off the ground, FX secured the rights to the story in 2015.įrom there, however, it was just delay after delay. Hollywood has been trying to adapt Y: The Last Man pretty much ever since the comic premiered. How exactly did this happen? How could a series designed for a lengthy run and a network in the market for series with lengthy runs not make things work? Lesley Goldberg at The Hollywood Reporter has the answer, and it’s more anticlimactic than one might expect.Īccording to THR, Y: The Last Man was ultimately the victim of its long and tortured adaptation process. FX abruptly canceled the series last Sunday before its first season even concluded. Now Clark and Y: The Last Man won’t get to proceed with that vision – at least not on FX on Hulu. There is a lot of journey and adventure ahead,” Clark told Den of Geek prior to the series premiere. “I think this show could have a solid five or six seasons. So much so that its showrunner, Eliza Clark, developed the project with multiple seasons in mind. Vaughan and Pia Guerra, the dystopian drama had a lot of story to tell. Based on a 60-issue comic book saga from Brian K. We’re awfully happy when we hear a pitch and think it’s got 50 or 70 or 100 episodes in it.”įX on Hulu’s own Y: The Last Man seemed to be the platonic ideal of what Landgraf was speaking about. “I can tell you we try just as hard to find them, develop them, and program them now as we ever have. And on the payment of the last installment, did he take the trailer away, or you take it. “It’s honestly not easy to find sustaining dramas that really hold up and maintain their consistency and quality and also their sort of urgency for the audience over a period of time,” Landgraf told the gathered journalists. Daniel Castronovo, the man sitting in the center there. FX President John Landgraf said as much during his appearance at the summer 2021 Television Critics Association press tour. In a crowded TV landscape of limited series, specials, and movies, it’s harder than ever to find traditional dramas with a premise compelling enough to support multiple years of storytelling.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |